{"id":9761,"date":"2026-01-05T05:21:59","date_gmt":"2026-01-05T05:21:59","guid":{"rendered":"https:\/\/cachsudung.com\/?p=9761"},"modified":"2026-01-05T05:21:59","modified_gmt":"2026-01-05T05:21:59","slug":"xu-huong-thiet-ke-do-hoa","status":"publish","type":"post","link":"https:\/\/how.congdongso.net\/en\/graphic-design-trends\/","title":{"rendered":"20 latest updated graphic design trends"},"content":{"rendered":"<p>The start of a new decade is often a sign of fresh thinking and approaches emerging, especially in the ever-evolving world of graphic design. So as we move forward from the 2010s to now, these <a href=\"https:\/\/how.congdongso.net\/xu-huong-thiet-ke-do-hoa\" target=\"_blank\" rel=\"noopener\"><strong>graphic design trends<\/strong><\/a> What is emerging that we should pay attention to?<\/p>\n<div id=\"penci-post-entry-inner\" class=\"inner-post-entry entry-content\">\n<p style=\"text-align: justify;\">To catch up&quot;<strong>hot<\/strong>\u201d of creative ideas, we spoke with design professionals at all levels to find out the trends they&#039;ve spotted along with their predictions. We&#039;ll present 20 graphic design trends, covering everything from logo design to illustration, that are poised to grow big now.<\/p>\n<h2><b>The rise of minimalism<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-LvrQ6psAR.webp\" alt=\"\" title=\"\"><\/p>\n<p>Graphic design trends in the second half of the 2010s saw minimalism and flat design dominate the digital world. And the designers at Grady Britton believe this trend will continue to strengthen as we move into the 2020s. \u201cIn line with marketing&#039;s ongoing quest for transparency and authenticity, design will continuing to strip away excess flair and embellishment and move towards a much more straightforward and simple presentation,\u201d said team creative director Brian Dixon. \u201cIt can sometimes even turn things around intentionally unfinished, where credibility is paramount.\u201d<\/p>\n<p>Designer Paul Levy agrees. \u201cThe ubiquity of flat design, including primary colors, simple, intuitive 2-D illustrations and easy-to-read typography, will continue to grow,\u201d he predicts. And this is not only about aesthetics but also about functionality. \u201cThe main benefit of flat design is that it allows users to quickly interact with interfaces, and find the content they want.\u201d<\/p>\n<p>But while flat design has its roots in digital, its principles have begun to influence print media,\u201d he adds. \u201cIncreasingly, we are seeing similar content divided into more user-friendly levels, making relevant content easier for readers to find,\u201d he said.<\/p>\n<div class=\"penci-custom-html-inside-content\">\u201cThe trend of practical graphic design, regardless of media, flat design, along with the rise of UX design, is giving graphic designers a powerful tool to help everyone people can easily locate the content.\u201d And while flat design gets a reputation for being cold and unemotional, it doesn&#039;t have to be that way. In fact, veteran art director Adam Murdoch believes that, for now, \u201cMinimalist design will shift to warm and soft, with interactive black and white designs, color schemes of Famous brands become warmer and friendlier; and beige and light yellow will appear more often.\u201d<\/div>\n<\/div>\n<div><strong>see more<\/strong><\/div>\n<div id=\"penci-post-entry-inner\" class=\"inner-post-entry entry-content\">\n<ul>\n<li><strong><a href=\"https:\/\/how.congdongso.net\/huong-dan-thiet-ke-3d-bang-adobe-illustrator\/\" target=\"_blank\" rel=\"noopener\">Instructions for 3D design using Adobe Illustrator.<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/how.congdongso.net\/xu-huong-thiet-ke-bao-bi\/\" target=\"_blank\" rel=\"noopener\">Packaging design trends<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/how.congdongso.net\/dich-vu-thiet-ke-do-hoa\/\" target=\"_blank\" rel=\"noopener\">Learn about graphic design services<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/how.congdongso.net\/dich-vu-thiet-ke-3d\/\" target=\"_blank\" rel=\"noopener\">What is 3D design service? 3D enhances brand image<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/how.congdongso.net\/thiet-ke-do-hoa-lam-gi-co-de-xin-viec-khong\/\" target=\"_blank\" rel=\"noopener\">What does graphic design do? Is it easy to get a job?<\/a><\/strong><\/li>\n<\/ul>\n<h2><b>Abstract 3D images and bright, bold colors<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-EF8WDIx7I.webp\" alt=\"\" title=\"\"><img \/>Perhaps as a counterpoint to the popularity of minimalism, we&#039;ve seen abstract 3D forms emerge over the past year. \u201cSoftware updates that have popularized 3D publishing technology are helping to drive this trend,\u201d noted Tamryn Kerr, creative director at VMLY&amp;R. \u201cThe amazing work done for the Greenwich Peninsula Festival by Droga5 is a great example, both on posters and animated for digital. Like viewing a wonderfully designed lava lamp, a captivating bubble moves elegantly across the screen, instantly capturing your attention and pulling you into the informative sections. .\u201d<\/p>\n<p>Consuela onighi, UX designer at Illustrate Digital, is seeing similar things. \u201cI&#039;ve noticed that over the past few months, most designs have created a 3D feel by combining layers of typography, images and abstract lines, often reflecting the brand. company, to create depth,\u201d she stated. \u201cThis is often accompanied by bright and bold colors and ranges, which I believe will become a strong trend next year.\u201d<\/p>\n<p>Alex Halfpenny, design director at Elmwood, paints a similar picture. \u201cNeons, fluorescents and bright, bold colors continue to be the go-to for designers to help designs stand out,\u201d he notes. \u201cFor fancy digital applications, or special print colors, subtle gradients are added to help colors feel vibrant, and give designs a fresh, interactive aesthetic. hybrid and optimistic.\u201d<\/p>\n<h2><b>The print-only approach<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-vOYLOB4ud.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Have you ever noticed how the number of designs that take a print-only approach is growing? We, too. \u201cUltimately, brands are trying to use text design over images and we expect to see more companies adopt this attitude by now,\u201d said Emily Benwell, marketing and technical design specialist number at Liberty Marketing spoke.<\/p>\n<p style=\"text-align: justify;\">Davide Baratta, design director at Impero agrees. \u201cI see a lot of use of typography and proprietary typography as certain elements in branding,\u201d he states. As does nazar Begen, project manager at Crello, who emphasizes that \u201cdesigners are playing with typography more than ever, to create more innovative and modern things. Trends in graphic design, artistic typography, strong multi-line typography, and semi-transparent typography that creates rich shapes are on the rise.\u201d<\/p>\n<p style=\"text-align: justify;\">Bold, simple typography has been a big trend in 2019, and that&#039;s set to continue now, believes Steve Sharp, director of Fat Cow Media. \u201cWe are finding this technique to be extremely effective, helping brands convey messages through striking, simple and powerful presentations,\u201d he said. \u201cIt&#039;s a good technique for brands that are straightforward and direct.\u201d<\/p>\n<p style=\"text-align: justify;\">Meanwhile, Chris Willis, design director at VMLY&amp;R, feels 2023 could finally become the year of transformative typefaces. \u201cThere are many famous designers already working in this field, so it is ready to become mainstream,\u201d he said. \u201cThis technology is especially exciting in the digital realm, where the possibilities are endless.\u201d<\/p>\n<p style=\"text-align: justify;\">And designer Katie Larosa at Grandy Britton believes the form will see more innovation in the next decade. \u201cGraphic design trends, There&#039;s a recent trend that&#039;s breaking rules that designers would never think you could break,\u201d she said. \u201cFor now, I predict we will see more bold, decorative typography that pushes traditional boundaries, and \u201cbad\u201d designs made on purpose. \u201d<\/p>\n<h2><b>Super maximalist and super minimalist style<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-iP3hxQTQg.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Justin Au, designer at Gretel, took a look at two <strong>graphic design trends<\/strong> different letters over the past year. \u201cOn one hand, you have a hyper-maximalist approach, full of playful typography, distorted 3D images, and alternative ways of making images such as harsh images or collages, &quot; he say. \u201cAn example is the work we do for Nike By You.\u201d<\/p>\n<p style=\"text-align: justify;\">\u201cOn the other hand, there is a return to ultra-minimalist design, made possible by tiny print nuances and a dedication to presentation by eliminating all excess. You can see an example in the design system for WeWork. I think both succeed in addressing the blandness of plain serif typefaces that have come to dominate subway walls and Instagram feeds.\u201d<\/p>\n<h2><b>Take GIFs to the next level<\/b><\/h2>\n<div class=\"wp-video\">\n<div id=\"mep_0\" class=\"mejs-container mejs-container-keyboard-inactive wp-video-shortcode mejs-video\" role=\"application\" aria-label=\"Video Player\">\n<div class=\"mejs-inner\">\n<div class=\"mejs-layers\">\n<div class=\"mejs-overlay mejs-layer\">\n<div class=\"mejs-overlay-error\">\n<div class=\"mejs-cannotplay\" style=\"text-align: justify;\">Graphic design trends \u201cSomething we&#039;ve seen more and more from brands in 2019 are smart, branded moving images that bring messages to life in a unique way. fun and creative,\u201d said Steve Sharp. \u201cAs GIFs grow in popularity in the social media arena, animations are also growing in rapid success and are more popular in email marketing and web design than ever before.\u201d<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: justify;\">Mark Chatelier, executive creative director at StormBrands agrees. \u201cWe&#039;re seeing more brands use GIFs to provide a quick and unique response to notable events throughout the year: Google&#039;s mini Twitter animation for Movember, for example.\u201d And he believes an alternative approach to GIFs will begin to reshape in the digital realm in the coming year.<\/p>\n<p style=\"text-align: justify;\">\u201cThink about storytelling, ever-changing uses of identity and content, animated mascots and brand assets that move and interact with each other across websites and media. ,\u201d Chatelier said. \u201cDesigners can no longer afford to sit around anymore. It&#039;s time for brands to follow suit and discover how the popularity of updated GIF formats can work for them. Otherwise, an opportunity will be wasted.\u201d<\/p>\n<h2><b>Multi-sensory movement content<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-HXAmtxPrF.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">You still haven&#039;t figured out how to learn those motion design skills? 2020 will be a good time to do so, as this method is increasingly in demand. \u201cMotive design and animation are becoming more popular than still images,\u201d says David Baratta. \u201cThere has been an evolution in the treatment and expression in animation design compared to the classic animation framework.\u201d<\/p>\n<p style=\"text-align: justify;\">And that&#039;s for a good reason. \u201cBrands are realizing the importance of dynamic design,\u201d said Lain Acton, director of dynamic design at DixonBaxi. \u201cNot only as a tool to unify all aspects of design but also to convey their key message. A well-thought-out moving vocabulary will allow you to have a unique voice, helping you stand out in a constantly noisy world.\u201d<\/p>\n<p style=\"text-align: justify;\">And he emphasizes that dynamic design is no longer about every &#039;<strong>cartoon logos<\/strong>&#039;. \u201cAt DixonBaxi, dynamic design is a key part of every project from day one,\u201d Acton said. \u201cNext year I expect to see more projects bringing in artists to collaborate with, as we saw earlier this year with both BBC2 and ITV. I also expect the use of programming to continue to grow as people build new tools for creative problem solving, generating new and exciting ideas.\u201d<\/p>\n<p style=\"text-align: justify;\">Emma Newners of B&amp;B Studio added, \u201cAs our attention spans become shorter and our desire for instant gratification increases, we will see more brands investing in dynamic content. As we move into the future, brands will strive to gain recognition for stylish graphic design trends in terms of animated graphics or brand sounds. Shares of visual brands will transform into dynamic stocks as multi-sensory brands take on a whole new meaning that transcends boundaries.\u201d<\/p>\n<h2><b>Intentional movement<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-0GQvAtBTG.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Not only will we use dynamic design more in 2020, but we&#039;ll also use it in different ways. Kelli Miller, creative director and partner at And\/Or, cites a few specific trends in kinetic design, including \u201chyper-realistic 3D geometric\/sculptural forms in plastic-y, multi-material color, general computational work in both 2D and 3D design, illustrated character-based stories, and unique animated typography.\u201d<\/p>\n<p style=\"text-align: justify;\">Overall, she feels there&#039;s a real sense of fun and excitement about how we can advance digital tools right now. \u201cAnd it seems that character-driven animation is a direct answer to that: it is a manual, human-centered work rather than a computer\/digital work .\u201d<\/p>\n<p style=\"text-align: justify;\">More broadly, Dan Healy, director of visuals and motion at Bulletproof, feels that we are seeing a shift towards \u201cmore meaningful movements; purposeful movement. This can be seen in the use of seamless transitions. And with Instagram becoming increasingly relevant, we need to become more efficient with movement.\u201d<\/p>\n<p style=\"text-align: justify;\">healy predicts that by now, dynamic design will appear in digital formats more and more, with a sense of consistency. \u201cThere will be a continuation of the use of mixed media and cinema. The value of sound design will play a pivotal role in brand identity, and we can really add value with meaningful movement. And within web design, I think we&#039;ll see endless scrolling take on new life, with smart scroll transitions like the new AirPods website from Apple.\u201d<\/p>\n<h2><b>Planning goes beyond readability<\/b><\/h2>\n<p style=\"text-align: justify;\">\u201cAdaptive typography continued to grow in popularity in 2019, as designers found many practical and beneficial uses for moving typefaces,\u201d said Alex Halfpenny, director design for Elmwood said. \u201cExcitement can be found in distorted lettering, exclusive engravings and groundbreaking typography, where design surpasses legibility in the design hierarchy.\u201d<\/p>\n<p style=\"text-align: justify;\">Emily Benwell, digital design and marketing specialist for Liberty Marketing, points to the example of Uber Move. \u201cThey developed a sans-serif typeface that became a staple in the rebranding process, conveying the brand message through incredibly effective moving posters,\u201d she says. And Dave Gee, co-founder of Jam_, predicts that this trend will continue for now. \u201cWe&#039;ve seen a lot from big brands using dynamic typesetting as a key graphic element in web and mass media creative,\u201d he said.<\/p>\n<h2><b>Graphic design trends Graphic disruption<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-bB8RWlDYu.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Graphic design trends, If many areas of design in 2019 seem subdued, dull and less effective, then get ready for a surprise; everything might change. \u201cWe&#039;re seeing a push toward &#039;graphic disruption&#039;: attention-grabbing and completely intentional stopping you in your tracks,\u201d said Sarah Sanders, director of internal affairs Precipice Design reports. \u201cIn certain categories, there is a decline in the calm, considered and controlled color palettes, polished typography and negative space that once dominated. Instead, they are replaced with strong, almost rebellious colors and juxtapositions, such as anti-repetition of messages and the use of bold, dense black.\u201d<\/p>\n<p style=\"text-align: justify;\">In short, there is a graphic sense of urgency and intensity at a level not seen in a small amount of time. \u201cIt is no coincidence that change is happening in a time of political, social and ecological instability,\u201d Sander argues. \u201cLook from the dissonances of brightness, density and volume of GoCompare&#039;s latest print campaigns to the materials of Extinction Rebellion and you&#039;ll find clear parallels. This approach will of course not work for every product, and in fact requires sequencing and control to push back. The question will be which brands and designers are brave enough to embrace dissonance and create something that risks being considered offensive or ugly.\u201d<\/p>\n<p style=\"text-align: justify;\">Social media is a factor driving this trend, believes Kelli Miller, creative director at And\/Or. \u201cWe live in an age where humorous trial and error has an easy and temporary home to live on in social media news,\u201d she emphasized. \u201cWork isn&#039;t as long or labor-intensive as it used to be, which makes it easier and less risky to try new things quickly. I love that fun punk rock spirit, seeing what people are doing is really funny and interesting.\u201d<\/p>\n<p style=\"text-align: justify;\">A positive element of this graphic design trend is that people are not getting fussy with their work, but there is a potential downside, she adds. \u201cI think it&#039;s very important to be aware of what&#039;s too trendy, and keep the pieces that feel authentic and truly connected to an idea, letting the rest disappear in the news. \u201d<\/p>\n<h2><b>The opposite of Insta-perfection<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-trmQSuc21.webp\" alt=\"\" title=\"\"><img \/><\/p>\n<p style=\"text-align: justify;\">Is the Instagram-inspired concept of presenting idealized versions of ourselves becoming outdated? \u201cRecently, we&#039;ve seen a huge shift in the way brands are impersonating people so that audiences feel a more authentic connection,\u201d said Jennie Potts, design director at B&amp;B Studio. . \u201cIn opposition to the obsessive and over-filtered selfie culture, we have seen the rise of unedited images that use real people rather than models and represent a diversity more real form.<\/p>\n<p style=\"text-align: justify;\">\u201cBrands are realizing the power in celebrating their customers instead of promoting just an outdated aesthetic,\u201d she continued. \u201cThis is already happening mostly in fashion and beauty, but I think we&#039;ll see it expand to other areas as we move forward this year.\u201d<\/p>\n<h2><b>Focus on the Alpha generation<\/b><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-ENH55nu68.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Graphic design trends. In case you haven&#039;t caught up, those born in the 80s are in their 40s, Gen Z is in their 20s, and the focus on brand experts is starting to fall on Generation Alpha: those born came out in the 2010s. \u201cGeneration Alpha is now about 9 years old,\u201d explains Lee Hoddy, creative partner at Conran Design Group. \u201cBut they are underage, they are provided for rather than influencing family dynamics and spending behavior; So, brands ignore them so far.\u201d<\/p>\n<p style=\"text-align: justify;\">Generation Alpha interacts with technology more naturally and instinctively than any generation before it, and this will influence brands&#039; touch points and microbehaviors in profound ways. \u201cBrand moments become lighter, more empathetic and more inclusive. It becomes sophisticated, intelligent and meaningful in daily activities.\u201d<\/p>\n<p style=\"text-align: justify;\">As a result, Hoddy predicts, many brands will no longer use visuals alone to communicate with customers. \u201cInstead, they will create interfaceless moments that surprise and delight to create long-term brand loyalty. If you are lucky and interested, the opportunities for designers and brand guardians are many.\u201d<\/p>\n<h2><b>Organic look and feel<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-HiiD7x7su.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">During the 2010s, we saw more and more brands and design packages focusing on organics, wellness and the natural environment. And now, that trend is being enhanced. \u201cThis is a response to our precarious relationship with our constantly depleted planet and our increasingly connected and fragmented lives with digital technologies, lives rich in data but short on time.\u201d ,\u201d said Andy Capper, creative director at Echo Brand Design. \u201cWe all crave greater openness and transparency, and we&#039;re seeing text, color, imagery, packaging and product design influenced by that.\u201d<\/p>\n<p style=\"text-align: justify;\">He gives a few real-life examples. \u201cFrom a digital lifestyle brand like Uber, we are seeing a lightness and simplicity, through their use of more accessible typography with fewer capital letters, more rounded lettering and clear images, with natural themes. In recent campaigns from Nike and Adidas, we see a great authenticity in style and image, focusing on real people in less staged environments, reflecting a desire for more direct conversation.<\/p>\n<p style=\"text-align: justify;\">\u201cNatwest and Monzo, banks old and new, are embracing softer, more natural color palettes and stripped-down images, a big step away from the authoritarian and autocratic banks of old. And we&#039;re seeing tech product companies embrace aesthetics and materials that are inspired by nature and blend in with our homes. Than shiny black tech blocks of old gentle forms and interesting textiles are being combined. What is lost is the hipster world of colorful, complex and masculine objects for consumer brands. What&#039;s new is the minimalistic graphic package brand identities again. Good Things Brewing Co&#039;s identity. is a great example of a simple yet richly meaningful presentation.<\/p>\n<h2><b>Action for sustainability<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-yEugdIOvD.webp\" alt=\"\" title=\"\"><img \/>Graphic design trends. The focus on sustainability right now is not only influencing what design looks like, but design is also adapting itself. \u201cMany brands are trying to make a positive contribution by shifting towards innovative approaches to packaging, such as using recyclable or ethical sources of materials,\u201d says Charlie Smith, creative director at Charlie Smith Design. \u201cThe inks we use, the different finishes we see and the materials we highlight are contributing to a trend of re-cropped design, and this trend is poised to gain momentum. force until now.\u201d<\/p>\n<p style=\"text-align: justify;\">\u201cThe global issue of sustainability and the impact of climate change is a theme that overlaps across the designs and creative ideas of our product teams,\u201d said Steve Austen-Brown, creative director created at Avantgarde London, speaking. \u201cThis theme resonates across the brands we work with, and across all design approaches. Our approach to sustainability has become important in the way we handle 3D spatial design. Materials, and the life-cycle rescue and reuse of structures and environments, are revealing the way we think about design.\u201d<\/p>\n<p style=\"text-align: justify;\">Alex Halfpenny, design director at Elmwood, has a similar view. \u201cAs designers take more responsibility for the assets they help to create, the desire to seek sustainable materials, techniques and finishes is top of mind as each new piece of information emerges. ,&quot; he say. \u201cThese include more environmentally friendly alternatives to things like metal foil printing, attractive premiums while reducing raw material costs, embracing natural paper stocks and techniques are simplified.\u201d<\/p>\n<p><b>14. New perspectives on gender and sexuality<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-yOmHBii0q.webp\" alt=\"\" title=\"\">Changing attitudes towards gender and sexuality will certainly have a huge impact on how the industry will develop in the coming year. \u201cDesign to date will be more human-focused, celebrating individual benefits and attractive product attributes, rather than just being for one person,<\/p>\n<p>\u201d Lee Hoddy said. \u201cWe will see even more brands move away from the traditional \u201cThis product is designed for a woman, therefore it&#039;s pink\u201d approach, and instead celebrate individuality. chemistry and the real people behind the products.<\/p>\n<p style=\"text-align: justify;\">\u201cOur job as designers will be to be a more critical friend, to challenge what is designed, what it says and why,\u201d he continues. \u201cHow brands behave and position themselves in this environment will raise questions with consumers who could have lasting impacts on sales and profits.\u201d<\/p>\n<p style=\"text-align: justify;\">Take character design as an example. \u201cWe are seeing a rise in gender-neutral characters in advertising,\u201d Davide Baratta emphasizes, \u201cwhich are a reflection of what is happening in the real world, where increasingly Many young people are identifying as gender neutral.\u201d<\/p>\n<h2><b>A rebellious spirit<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-sz8lF9r5Y.webp\" alt=\"\" title=\"\"><img \/>Graphic design trends. We live in chaotic times, and this is having a clear impact on the creative industry, believes Maisie Benson, designer at B&amp;B Studio. \u201cPeople are turning to individual activism to try and cope with a growing sense of social unrest, and we&#039;re seeing this assertive rebellion in design,\u201d she explains. \u201cVerbal recognition and tone have never been more important, and 2019 has seen an increase in the bold repetition of words and sentences in typography. We also see more outlined typography, a visual resistance to traditional rules of legibility and message delivery. And brands that try to recreate this aesthetic in an authentic way are bound to feel the antagonism.<\/p>\n<p style=\"text-align: justify;\">Designers are being energized by changemakers at the grassroots level, and are also aware of their own ability to shape change, she added. \u201cSo we&#039;re seeing letterforms inspired by the handwritten protest messages on the Berlin Wall, as well as the handwriting of Greta Thunburg.\u201d<\/p>\n<p style=\"text-align: justify;\">Curro de la Villa, design director at 72andSunny Amsterdam, offers a similar opinion. \u201cOverall, I feel that 2020 will be the year where imperfection and rawness becomes a mainstream vibe, embraced by major brands in their visual identities, like never before. ever before,\u201d he said. &#039;While invisible designs are becoming easier and more present in functional designs in phone UIs, global companies want to go a different route and look more human, instead change the unpolished and almost throwaway tone: gone is the visual language that belongs to small disruptive startups or fashion brands.\u201d<\/p>\n<p style=\"text-align: justify;\">He felt it was a good thing. \u201cIt gives designers a chance to experiment, almost subvert typefaces, use bold and unexpected layouts, absurd white spaces, neon colors\u2026 all combined in unique ways. crazy way, embracing imperfection. This is happening in nearly every field, and I love the experimental aspects of it. We see it in photography: I love the clutter of Dexter Customs&#039; website and its imagery. We see it in the way the content is compiled: the layout of The New York Times Magazine&#039;s online articles is always a thing of beauty. And we see it in typography and 3D, like in Thom Yorke&#039;s latest 3D animated music video.<\/p>\n<h2><b>The design depends on the device<\/b><\/h2>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-DScmWYj1r.webp\" alt=\"\" title=\"\"><img \/><\/p>\n<p style=\"text-align: justify;\">Do you develop a website that can work on any device? Or make a device-specific app that only works on devices of the same type as the iPhone? Harry East, co-founder and creative director at Equals Collective, believes that in the coming year, you&#039;ll need to do both.<\/p>\n<p style=\"text-align: justify;\">graphic design trends \u201cso far, we will continue to see the gap widen in responsive design,\u201d he said. \u201cDespite similar designs, the designed experience will become perfectly suited to the platform consuming it. Expect to see websites and web applications designed with unique experiences for each version. Our experiences are now consumed very differently depending on how they are viewed and used. The best web experiences will be defined by their ability to meet new design challenges and engage users with unique designs that suit different platform experiences.\u201d<\/p>\n<h2><b>Cause-based branding<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-GbqPSF51T.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">The days when brands avoided taking stances on social and political issues are long gone. And that trend will make its mark more than ever, believes Adam Murdoch, veteran art director at Grady Britton. \u201cMarketing focused on equity will continue, as brands continue to demonstrate they &#039;believe people are equal and have important values,&#039;\u201d he predicts. \u201cBut what will change now will be investing real money in the real causes behind their messages.\u201d<\/p>\n<h2><b>Immersive experience<\/b><img \/><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-kaGdG6cwn.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">We&#039;ve been hearing about this for a while, but Dave Gee is convinced that 2020 will be the year of augmented reality (AR). \u201cWe predict that AR and the use of immersive experiences will dominate the design industry in the coming year,\u201d he said. Why now? \u201cWith tools like Spark AR, and developments in phone and camera technology, creating professional content is a lot easier,\u201d he argues. \u201cAs a result, brands are turning to AR to increase engagement and revenue.\u201d<\/p>\n<p style=\"text-align: justify;\">Mark Davis, creative director at me&amp;dave, is humming a similar praise. Graphic design trends \u201cSomething that has made waves in design is a focus on experiences, and I think 2020 will see a renaissance in this approach,\u201d he said. he spoke. \u201cIt&#039;s about allowing customers to become part of brand experiences rather than remaining a passive recipient of endless orders. The way to do that is by linking digital technology with real things.<\/p>\n<p style=\"text-align: justify;\">\u201cDigital cannot exist in isolation,\u201d he argues. \u201cIt needs to be merged with real-world experiences in a seamless and intelligent way, and brands like Burberry are masters at delivering these types of experiential engagements. Graphic design trends They recently used WeChat to create a similar social event with a high-profile launch, including livestreams, forums and even 360-degree virtual tours of the artists. physical exhibition, directly connecting with people using personalized content.<\/p>\n<p style=\"text-align: justify;\">\u201cObviously, few companies have the deep pockets of Burberry, but break the formula and you&#039;ve got a blueprint for an authentic, engaging brand experience that invites people to become part of the narrative. your story. The best way to sell experiences is by experience: this essence must be at the forefront of strategic design thinking in 2020.\u201d<\/p>\n<h2><b>Make your brand&#039;s story believable<\/b><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-BVA5y91MG.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Storytelling has become a mainstay for brands in recent years. However, Andy Askren, partner and director of design at Grady Britton, believes brands will be under greater pressure than ever to create authentic and trustworthy stories.<\/p>\n<p style=\"text-align: justify;\">\u201cMany brands, both old and new, will work to tell &#039;the people&#039; their stories, however they can,\u201d he predicts. \u201cThis has been going on for a while, but it&#039;s going to explode this year.\u201d And what visual tricks can designers use to aid this effort? \u201cThere will be a constant look to the past for inspiration,\u201d Askren believes. \u201cHeavier, more rounded typefaces mixed with larger, more pronounced serifs, drenched outlines and design cues will be the hot stuff.\u201d<\/p>\n<h2><b>Uncertainty<\/b><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/how.congdongso.net\/wp-content\/uploads\/2024\/07\/20-xu-huong-thiet-ke-do-hoa-cap-nhat-moi-nhat-3MBcXAKtq.webp\" alt=\"\" title=\"\"><\/h2>\n<p style=\"text-align: justify;\">Graphic design trends. In a world that seems to become more unpredictable, perhaps the only sure prediction we can make about graphic design so far is that anything is possible. \u201cNothing is going to get fancy so far,\u201d says Alex halfpenny, design director at Elmwood.<\/p>\n<p style=\"text-align: justify;\">\u201cFrom rich and diverse color palettes to flexible typography and process-generated brand identities, design itself will have to move faster to keep up with an unstable political and cultural environment. on-demand and shorten society&#039;s attention span with a little patience and a little appreciation for previous generations&#039; meticulous approach to design that endures, but ultimately, remains unchanged. .\u201d So get ready, and good luck.<\/p>\n<p style=\"text-align: justify;\">So I just introduced to you the top 20 latest updated graphic design trends today, hoping to help you a lot.<\/p>\n<p style=\"text-align: justify;\">Do not forget <strong><a href=\"https:\/\/www.facebook.com\/howto.edu.vn\" target=\"_blank\" rel=\"noopener\">follow Facebook<\/a><\/strong> us to be updated with the latest information.<\/p>\n<p>Source see original article at <a href=\"http:\/\/uyen.vn\/top-20-xu-huong-thiet-ke-do-hoa-cho-nam-2020\/\" target=\"_blank\" rel=\"nofollow noopener\">This<\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>M\u1ed9t th\u1eadp k\u1ef7 m\u1edbi b\u1eaft \u0111\u1ea7u th\u01b0\u1eddng l\u00e0 d\u1ea5u hi\u1ec7u cho nh\u1eefng suy ngh\u0129 v\u00e0 c\u00e1ch ti\u1ebfp c\u1eadn m\u1edbi m\u1ebb n\u1ed5i l\u00ean, nh\u1ea5t l\u00e0 trong m\u1ed9t th\u1ebf gi\u1edbi thi\u1ebft k\u1ebf \u0111\u1ed3 h\u1ecda lu\u00f4n lu\u00f4n ph\u00e1t tri\u1ec3n. Nh\u01b0 v\u1eady khi ch\u00fang ta ti\u1ebfn l\u00ean t\u1eeb th\u1eadp ni\u00ean 2010 \u0111\u1ebfn nay, nh\u1eefng xu h\u01b0\u1edbng thi\u1ebft k\u1ebf \u0111\u1ed3 &hellip;<\/p>","protected":false},"author":2,"featured_media":18369,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[540,559],"class_list":["post-9761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-do-hoa","tag-xu-huong-thiet-ke-do-hoa","tag-do-hoa"],"_links":{"self":[{"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/posts\/9761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/comments?post=9761"}],"version-history":[{"count":1,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/posts\/9761\/revisions"}],"predecessor-version":[{"id":21144,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/posts\/9761\/revisions\/21144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/media\/18369"}],"wp:attachment":[{"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/media?parent=9761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/categories?post=9761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/how.congdongso.net\/en\/wp-json\/wp\/v2\/tags?post=9761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}